The Par 16 Chandelier hangs as a loose field of spheres. Thirty-five of them, each blown freehand so that no two are quite alike, suspended on thin black cables from a satin steel base. From across the room the composition reads as a single body of light; step closer and it separates again into individual globes, each one holding its own small share of the space.

Light leaves the source and travels outward through uneven glass, then comes back softened. The dimpled surface — deliberately irregular, nearer to something worn smooth by water than to something turned on a lathe — breaks the beam into a quiet scatter, so the spheres glow from within. The emission is indirect: warm 2700K, faithful colour rendering, dimmable all the way down to the low end where a chandelier of this kind is meant to live.

Made by hand, in glass and steel

Every sphere is mouth-blown by master glassmakers working to our own specification, then fitted with a nickel jack and hung on cable. The whole assembly draws from a single 24V LED board and a constant-voltage driver, which keeps each pendant light enough to be held by nothing more than wire. Compositions can be rearranged on request — more spheres, fewer, or the two diameters mixed — from a minimum of twenty pendants. Form first. Everything else follows.